We know that cameras are getting cheaper and more accessible. But the capabilities of these little cameras is remarkable. For a long time, the control that was on a more traditional camera just wasn’t available. Full manual control, ISO, focus, shutter speed, variable aperture, RAW image shooting. But not any more.
Depending on your luck, you can get a real wet (paint) experience, or something a little more roughed up. You know your getting a good show when you can smell the paint. You get wild colours, awesome reflections and a generally un-touched experience. And don’t lean on the walls. This Sunday, though, was a little rougher. It’s not my first choice, but still, I dig it.
As for the photos below, if you know the artists, please let me know. I’m not totally across who does what, but happy to link back.
Croft Alley doesn’t get as much action as Hosier, and as such, the pieces are older but they last a bit longer. There’s not as much tagging going on, so pieces are generally kept in better order. There’s also way less people, but it’s seriously worth the little walk. Equally cool is the Croft Institute at the end. It’s been a few years since I headed there, but if you’ve never been and in the area, give it a look.
Hosier Lane (and Rutledge Lane, which is basically the same thing) are the showcase for Melbourne’s street art. The streets are constantly changing, and there’s only a few pieces that stand the test of time. That said, despite the apparent outrage a few years back when Rutledge went blue and that it was going to be changed forever, it’s back to normal. There’s always people, there’s often tags all over pieces, but it’s the centrepiece of Melbourne’s street art for good reason.